A blog and podcast dedicated to rediscovering the lost pop, bubblegum and psychedelic classics of the 60s and early 70s, specializing in mono editions and out of print material. Curated and written by Portland-based music critic Casey Hardmeyer who writes for renown pop culture criticism website PopMatters. Follow the twitter account: CASEY HARDMEYER
The Way Podcast
Monday, March 19, 2012
Cherry People: Cherry People (1968) Original Heritage Records Stereo Vinyl Transfer
Despite the dark and trippy album cover, this record is East Coast sunshine pop at it's cheeriest, verging in on bubblegum territory at times even. Cherry People were a psychedelic-rock band from the DC area and were considered a reputable live act, known for their intense, guitar heavy sound. But you wouldn't know it having listened to their album. They were signed to legendary producer Jerry Ross's label Heritage Records, a subsidiary of MGM, and set about recording their debut album under the guidance of their producer Ron Haffkine. Apparently Haffkine and the execs at Heritage weren't interested in letting the Cherry People unleash their acid rock sound on the world. I'm guessing that Heritage, particularly Jerry Ross, were looking for a semi-established psychedelic act they could convince to record some tunes they had published and that they wanted to release, potentially as singles material, that they could market to a "hipper" audience.
One song they did manage to get the Cherry People to record was the Left Banke composition "And Suddenly", a swingin' pop song that managed to break the Billboard top 50 in early '68. It's a very upbeat tune, with a really ornate instrumental blend featuring a string section, organs galore, big vocal harmonies, pretty much all the bells & whistles (literally, there are bells and whistles on this track). Great song. Somewhere along the line Cherry People decided they weren't gonna play ball with Haffkine and record the pop and radio-oriented material that was presented to them and there must have been some confrontation between the two parties, as the band were basically kicked out of the studio and studio musicians were brought in to play all the instrumental parts on the album. Is this a good thing? In my opinion, yes. I love the studio sound of the 60s and this album is chock full of that sound.
The album's sound is pretty similar to what we heard on "And Suddenly", lots of orchestral flourishes and neat studio tricks that give these simple, cheery bubblegummy songs alot more depth. There are some psychedelic moments as well, particularly on the band penned track "Imagination". It's a barely two minute piece of dazzling psych-pop, with great orchestral work and tripped out vocal effects, one of the best songs on the record. Another band penned tune "I'm The One Who Loves You" is also a highlight, with a tight, grooving chorus, all kinds of audio treats and a cool disco-y string section. "Mr. Hyde" is another good one, really nice flute section on the intro and tons of high Harpers Bizarre-esque harmonies throughout song. Also on the album is a really cool cover of Tommy James' funky-soul bubblegum number "Do Something To Me." The majority of the tunes are pretty lightweight, lyrically and musically, but the inventive production and top notch studio musicians keep things interesting. I'd say theres definitely a resemblance to early Cowsill's and alot of Jerry Ross's productions like Spanky and our Gang and Keith, as it's got that very "east coast" pop vibe, distinctly different from the sunshine pop that was coming out of L.A., with more of an emphasis on bubblegum than on psychedelia.
I believe this album was reissued by Collectables, who usually do a pretty mediocre job at remastering and reissuing in general, and the disc hasn't really been in print since the 1990s. So, I present to you my rip of an original near mint copy of the LP. Ripped using EAC's .WAV editor and converted down to 320vbr using LAME 3.97. Really nice sounding stereo copy, no EQing, no pop removal just a flat transfer from vinyl to mp3. Enjoy! http://www.mediafire.com/?0vzdmubwopx2b7i
-Casey
Labels:
Bubblegum,
Sunshine Pop
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Another treat!Thanks Casey!
ReplyDeleteNo problem! I got plenty more on the way.
DeleteAh ... Washington D.C.'s The Cherry People ... Yes, lots of references claim they were a product of Arlington, Virginia. In fact the Arlington county public library even has a website that talks about the band. The fact of the matter is the band's roots trace back to the Barnaby Terrace in Southeast, Washington, D.C. True, three quarters of the original group grew up in Arlington, but they started off in D.C..
ReplyDeleteA bland pop/rock album in which every track seems to be aiming for commercial singles territory, with the cheery harmonies and brassily arranged There are some bubblegum and blue-eyed soul influences, and in general it makes the Monkees seem like heavy dudes in comparison
Co-produced by Haffkine and Barry Oslander, in spite of a reported $30,000 recording budget (a tremendous investment at the time), 1968's "The Cherry People" was pretty much a full scale disaster. With Heritage apparently interested in turning the group into a Monkees knockoff, musically the set bore little resemblance to the the group's earlier work. In fact, only two of the ten tracks were band-penned originals. The band members have repeatedly pointed out that they had little to do with the finished product - producers Haffkine and Oslander selected the outside material and brought in sessions players to handle most of the workload.
Band members
- David Alves -- drums, percussion (1965-67)
- Rick Benick -- lead guitar (replaced Wayne Tomlinson)(1973)
- Barry Brandt -- drums (replaced Rick Benick) (1973-75)
- Larry Gray -- drums, percussion, bass (1964-67)
- Chris Grimes -- rhythm guitar (1964-75)
- Doug Grimes -- vocals (1964-72)
- Rocky Issac -- drums, percussion (replaced David Alves)(1967-72)
- Pick Kelly -- bass (replaced Larry Gray) (1967)
- Edwin Lionel "Punky" Meadows -- lead guitar (1964-72)
- David Namerdy -- guitar (replaced Chris Grimes) (1975)
- Chris Noe -- lead guitar (replaced Punky Meadows)(1972)
- Steve Riley -- drums (replaced Barry Brandt) (1975)
- Andrew Sokol -- bass (1973-)75
- T.C. Tolliver -- drums (replaced Mike Zack) (1972-73)
- Wayne Tomlinson -- lead guitar (replaced Chris Now)(1972-73)
- Mike Zack -- drums (replaced Rocky Isaac) (1972)
- Jan Zukowski -- bass (replaced Pick Kelly) (1967-73)
Experts say it is a bit of an exaggeration classic, but in my opinion Just a very good album released in such small copies circulation effort that today it is considered a "mega rare."A work of art is ugly That Seems most people, it is beautiful a select few... for me...simply good old days..
Casey many thanks
You're welcome! Yeah this band and album definitely has an interesting story behind it. Glad you like it!
DeleteHi Casey... would you post a track listing for this album or better yet a jpeg of the back cover or sleeve? Thanks a million!
DeleteAh, found it... still wouldn't mind a peek at the back cover tho... nudge, nudge, wink, wink
DeleteA1 And Suddenly (2:06)
A2 Girl on the Subway (2:52)
A3 On to Something New (2:22)
A4 Imagination (1:54)
A5 Mr. Hyde (2:39)
B1 Do Something to Me (2:13)
B2 Ask the Children (2:08)
B3 I'm the One Who Loves You (2:06)
B4 Don't Hang Up on Me, Girl (2:53)
B5 Light of Love (2:40)
I'll get a photo of the back cover up ASAP, should be up later tonight.
Deletehey, didn't see that photo yet... did you add it to the file perhaps? just wondering.
DeleteThanks for reminding me. Just posted a picture in the post above. I don't have a scanner or a digital camera so my phone (which is 8 megapixels) is the best I can do at the moment. Hope that works.
DeleteSure, that's fine... It's nice to get a glimpse of the original cover while listening. Cheers!
Deletethis album is lots of fun... thanks!
ReplyDelete