The Way Podcast

Saturday, March 31, 2012

Spanky & Our Gang: Without Rhyme Or Reason B/W Anything You Choose (1969) Original Mercury Records Vinyl Transfer


This record really surprised me. I had only given Spanky and the Gang a few listens, mostly from my 45s of the Sunshine Pop hits "Sunday Will Never Be the Same" and "Sunday Morning". I hadn't ever really dove into their LPs though, for some reason I kinda assumed they were mostly full of filler padding their hits (I was wrong). But I did some research on their 3rd LP, Without Rhyme Or Reason B/W Anything You Choose, and was really intrigued by the reviews I'd read. So, being the vinyl junky I am, I went out on the inevitable hunt for the album, and after rummaging through a couple record stores, I managed to find a nice, near mint copy.

The record is substantially better than I imagined it would be. Essentially, this album is a concept record, except with no real concept, much like the Harpers Bizarre's The Secret Life, or Boyce & Hart's It's All Happening on the Inside. But it flows much like a concept album with each song flowing in to the other with some very clever editing and even, on a few occasions, excerpts of dialogue, not unlike the Monkee's Head. However, the music is really where the album shines. Like a shot of adrenaline, the first track "Leopard Skin Phones" bursts out of the speakers at a frenetic pace, a scintillating piece of psych pop with big harmony vocals, a fuzz guitar solo and really cool stereo sound effects. The song quickly disintegrates, the next track "But Back Then" is a dialogue excerpt of an old time jazz cat talking about how things used to be in the music world when suddenly the conversation ends and "Mecca Flat Blues" an appropriately bluesy New Orleans style Ragtime tune takes center stage. The title track, "Without Rhyme or Reason" is a more updated sounding song, an equally jazzy but more contemporary LA styled soft-pop tune with lush vocals and instrumentation. "Jane" is a bouncy folk influenced bossanova-esque sunshine pop tune with a sparkling acoustic guitar pattern and jaunty flute runs. The jazzy theme continues with the haunting, orchestral conclusion to side one, "Since You've Gone", with ethereal "ba-baa" harmonies and a beautiful string arrangement.

Side 2 kicks off with the other title track, "Anything You Choose", a rocking, brassy R'n B number, done Spanky style, with some folky guitar work and broadway harmonies. The next track "And She's Mine" is definitely a standout tune, one of the more straightforward tracks on the record, just a simple sugary folk-pop melody dressed up with the Gang's big vocal arrangements and dreamy production. But I think the most  obvious highlights come in the last 2 or 3 tracks of the album, starting with "Hong Kong Blues", an eastern flavored retro-pop tune with great tack piano, a fantastic horn section and frantic vocals from the whole Gang. The track segues into finale "Give a Damn", a grandiose slice of psych-folk, with more big brass, airy harmonies and a gorgeous and dreamy jazz fade-out that signals the close of the record.

Very good album, I'd say side one flows more as conceptual piece, whereas the songs on side 2, while they still flow together, stand out more on an individual basis. One of the better LP statements by a Sunshine Pop band, the speed at which this record flies by is very impressive, clocking in at around 40 minutes, it feels like it goes by much shorter. The heavy pop-jazz accents are very tasteful and suit the band very well.  Highly recommended for fans of Harpers Bizarre, Roger Nichols and the Free Design.

I believe some of these songs are available on various compilations but the album has never been re-issued in it's original form, outside of a Japanese CD issue that is long out of print. The vinyl has obviously been OOP for over forty years, so I thought I'd share it here, as we wait for a proper reissue. I transferred my clean, original vinyl record, issued on Mercury, to .mp3 using EAC's .WAV editor and dbpoweramp (using LAME 3.97) @ 320vbr. No EQing or pop-removal, just a flat transfer. I did not seperate the tracks individually, as this album is intended to be listened to from start to finish by the listener. I know that's not the most convenient way to listen, but it's certainly the most effective way to get the most enjoyment out of this record. http://www.mediafire.com/?jh9d18soyx0g9z2

-Casey

15 comments:

  1. Casey,
    Nice work!I'm familiar with this band's earlier stuff,but this LP is unknown to me.I'm looking forward to listening it ASAP.
    Thanks!

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    1. This record is pretty different from their early material, very psychedelic in comparison, and alot more "arty". The best LP by the band by a long shot. Thanks again for dropping by!

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  2. I am sure that some will really enjoy this wonderful music, and I would as well if it were flac... oh well, thanks just the same and do continue your generous efforts

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    1. If you want a lossless copy of these albums I suggest finding your own hard copy of the record yourself. I'm giving people a chance to hear rare albums so they can do just that. Support the record store industry and trade so we can keep these gems from going unheard.

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  3. Wonderful album thank you very much is it possible sometime in the future to have this album with the tracks separated. Sometimes i don't have the time to listen to the whole one side thanks for your consideration and thanks for a great album.

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    1. I definitely understand that listening to the whole side at once is not very convenient sometimes. But albums like these are actually pretty tough to edit for the the ripper. It would take me a lot more time than I really have to separate the tracks just perfectly so they still maintain the same flow, and believe me, the flow of this record is crucial to the listening experience. I like to think of records like this as two big songs, Side 1 and Side 2. In the future, I will try to separate tracks on these kinds of concept records, it could be a fun challenge. Appreciate you stopping by as always!

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  4. Nice blog, but your posts are all compressed. Why are you linking from Phrock, which is for people who prefer real, uncompressed music. I hope you'll repost your albums in an uncompressed format.

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  5. Thanks Casey Please don't take my comments as such that I am unhappy because I am not at all I thank you for what you do thanks again

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    1. No dont worry about it, always looking for feedback. Thanks!

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  6. Anyone who thought Spanky and Our Guys were nothing more than a second rate Mamas and the Papas is likely to be pleasantly surprised by 1968's "Without Rhyme or Reason b/w Anything You Chose". Co-produced by Stuart Scharf and Bob Dorough, the band's third studio set was recorded in the wake of personnel upheavals that saw original bassist Oz Bach replaced by Kenny Hodges and the addition of new singer/guitarist Lefty Baker. Musically the album stood as their most diverse, experimental and enjoyable collection. Apparently intended as a concept piece, the collection found the band turning in an impressive and seamless suite of music that included stabs at blues, vaudeville, folk-rock, jazz, MOR, pop, psych, and hard rock. Highlights included the weird lead off rocker 'Leopard Skin Phones', the Malcolm Hale sung 'Jane' and the should've been hits 'Since You've Been Gone' and 'And She's Mine' (one of the niftiest sunshine pop songs you'll ever hear). Curiously Mercury chose to release 'Give a Damn' b/w 'The Swinging Gate' (Mercury catalog number 72831) as a single. It seems funny in this day and age, but in 1968 the song title was enough to provoke a widespread airplay ban though the 45 still managed to hit the top-100 charts. That's even funnier given the lyrics were one of the era's more effective pleas for understanding and cooperation. Go figure ... Mercury also tapped 'And She's Mine' b/w 'Leopard Skin Phones' (Mercury catalog number 72926) as a follow-on single. Sadly, the album was completed amidst personal tragedy - guitarist Malcolm Hale contracted pneumonia and died during the recording sessions.

    Band members
    - Oz Bach (RIP 1998) - bass (1966-68)
    - Lefty Baker - vocals, guitar (1968-69)
    - Malcolm Hale (RIP 1968) - guitar, drums (1966-69)
    - Kenny Hodges - bass (replaced Oz Bach) (1968-69)
    - Elaine 'Spanky' McFarlane - vocals, percussion (1966-69)
    - Nigel Pickering - bass (1966-69)
    - John Seiter - drums (1967-69)

    Thanks Casey,

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    1. Great summary of the record (I totally agree about "And She's Mine") and good to hear some information that I had no idea about. Sad to hear about the passing of Malcolm during the recording of the album. Thanks so much for the comments! Stop by anytime.

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  7. I agree that this is hands down their best album. I got mine for 57 cents in a cut-out bin (ah,how I miss those) in 1971. The 2 sides are labelled Side 1 and Side A. implying that you can listen to either side first, but the only way it makes sense to me is to play Side 1 first since it begins with "Leopard Skin Phones" ("Put your headphones on,get ready to go and prepare yourself for a stereo show") and Side A fades in and ends with the heavy message song "Give a Damn" which fades out on a reprise of Little Brother Montgomery's chatter first heard on "But Back Then" on Side One. A brilliant album and an unheralded classic.

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    1. Yep. Blows me away every time I hear it. A criminally underrated, and under-heard record.

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  8. Casey, could you please reupload your rip? Mediafire took it down.
    Did you have their other two albums, by any chance?

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